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raullinaitis

Eimantas Raulinaitis

The Vault

Upload your CCTV or doorbell clip as the video reference. No images. Settings: Seedance 2.5, 16:9, sound on, same length as your clip.

Call the clip a choreography guide, never the master, or the model copies the CCTV frames back in. Give every shot a camera move with a story reason, and change the shot times to match the moments in your clip.

Seedance 2.5 · video reference · 14s

Refer only to the man's actions, their order and their timing in @Video 1. @Video 1 is a guide for choreography, not footage: every frame is newly filmed on a cinema camera with normal 35mm and 50mm lenses, straight verticals and a full clean frame, with no doorbell angle, no fisheye bend, no vignette and no security-camera look. A grounded dramatic short film, played completely straight: an ordinary sunny afternoon turns into panic when a man stepping out of his brick house is attacked by a wasp he can barely see. The camera tells the story: calm, shock, chaos, a false calm, a second attack, the retreat. The wasp is heard, never clearly seen. Shot 1 — target 00:00-00:01. Steadicam glides behind him at shoulder height as he steps off the porch into bright sun; a sharp buzz cuts in and both his hands fly up to his head. Shot 2 — target 00:01-00:03. Low medium shot, the camera dollies backward in front of him as he spins and hops down the step, bent forward, sun flaring across the lens. Shot 3 — target 00:03-00:05. Slow half-orbit at waist height around him beside the white SUV as he bends double, shaking his dreadlocks and slapping at his hair. Shot 4 — target 00:05-00:08. Slow push-in from a medium shot to a medium close-up as he straightens, pats his head and catches his breath, almost relieved; the street goes quiet. Shot 5 — target 00:08-00:11. Handheld: the camera jolts as the buzz returns and tilts down with him as he folds over again, slapping frantically at his head. Shot 6 — target 00:11-00:14. Crane shot rising and pulling away as he straightens and walks past the white SUV toward the street, looking down at his arms, ending on a wide of the quiet sunny street. Hard high summer sun, deep contrasty shadows, rich saturated colour, 35mm film grain, 24fps motion blur. Normal speed, no slow motion. No subtitles, no text. Audio: NO MUSIC, NO SCORE, NO PIANO, NO ACOUSTIC GUITAR, NO STRINGS. Shot 1 birds and footsteps, then a sharp close buzz; Shot 2 a gasp, sneakers skidding on concrete; Shot 3 slaps on hair, ragged breathing, the buzz circling; Shot 4 breathing fading to near silence, cicadas; Shot 5 the buzz roaring back, frantic slaps, a shout; Shot 6 footsteps, cicadas, distant traffic.

Write it like a brief to a person. Start with Generate or Edit. Name the mess: crumbs, flyaways, a coffee ring. That is what stops the plastic look.

A ceramic mug on a worn oak table with crumbs and a coffee ring in morning window light.
Kitchen still

Generate a slightly messy kitchen still of a matte ceramic coffee mug on a worn oak table beside a folded linen napkin, late morning window light from camera-left, crumbs and a faint coffee ring, shot on a Canon R5 with a 50mm f/1.8 lens, natural wood grain, unmarked mug, empty of people.

Night portrait

Generate a tight portrait of a man in his late twenties with dark curly hair and a short beard, wearing a black t-shirt, standing still and looking just off camera. Dark navy studio backdrop, soft key from camera-left, faint rim on the hair. Shot on a Hasselblad X2D 100C with a 90mm f/2.8 lens, natural skin texture and flyaway hair. Clean unmarked clothing, no extra people.

Swap one object

Replace the object in the hands with a small matte-black 3D-printed figurine. Keep original perspective, lighting angle, and color grade. Match the contact shadows. Do not change the person or the background.

One subject move and one camera idea per shot. Write it as a short story, not labels. Name the camera in film words: locked, slow push-in, orbit. End with the no-subtitles line, especially on vertical.

Animating a still? Only describe what changes. The picture already holds the face, clothes, and room.

Text to video · 5s · 9:16

A man in a black t-shirt stands in a dark navy studio and looks into camera. He slowly turns his head a few degrees to the right, then back, breathing quietly. Locked camera, medium close-up, soft key from camera-left. Keep it subtitle-free, avoid generating any text or subtitles, do not generate a logo or watermark.

Image to video · 5s

Keep the person, wardrobe, and room exactly as in the image. He blinks once and the fabric on the shoulder shifts slightly with a breath. Locked camera. Keep it subtitle-free, avoid generating any text or subtitles, do not generate a logo or watermark.

First to last frame · 5s

Image 1 is the first frame. Image 2 is the last frame. The person stays in the same spot and slowly turns their head from the first pose into the last pose. Locked camera, no extra people, lighting stays the same. Keep it subtitle-free, avoid generating any text or subtitles, do not generate a logo or watermark.

Make the still first. Product toward camera, real kitchen mess behind it. Then animate only the hand and a breath. Do not invent a new room.

A hand holding a small matte-black figurine in a cluttered kitchen.
Still · Nano Banana 2

Generate a medium close-up of an adult hand holding a small matte-black 3D-printed figurine toward camera in a cluttered apartment kitchen, window light from the side, the figurine sharp and the sink softly out of focus, shot on a Canon R5 at 35mm, natural skin texture, unmarked figurine, no extra people.

Move · Seedance 2.5 I2V · 5s

Keep the hand, figurine, and kitchen exactly as in the image. The fingers tighten a little on the figurine, then ease, and the person takes one quiet breath. Locked camera. Keep it subtitle-free, avoid generating any text or subtitles, do not generate a logo or watermark.

Say what stays before you say what changes. Face, pose, light direction, clothes unless you are changing clothes. If the face drifts, stop adding scene words and lock identity again.

New background

Edit the person in this photo. Keep the face, pose, outfit, and original light direction unchanged. Place them in a quiet night street with wet asphalt and a deep navy wash on the walls. Match contact shadows under the feet and keep hair edges clean. Do not change anything else.

New outfit

Edit the person in this photo. Keep the face, hair, pose, and original light direction unchanged. Change only the top to a heavy-knit charcoal sweater with a visible weave. Match folds to the existing body and keep the background the same.

Still to video · 4s

Keep the face, wardrobe, and room exactly as in the image. The person blinks once and the corners of the mouth ease a little. Locked camera. Keep it subtitle-free, avoid generating any text or subtitles, do not generate a logo or watermark.

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